Some people requested a nose tutorial some time ago, and I finally got around to show you how I draw noses. There are a million ways on how to draw them, but this is atleast how I do it!
morty how the heck do you draw top heavy bodies (kinda like kuins) because its hell 2 me
OK SO THIS IS LATE AND IM BAD AT EXPLAINING SO I JUST SCREENSHOT’D MY PROCESS
FIRST, GET YOURSELF SOME MOOD MUSIC
BASE SKETCH: I don’t usually draw what’s in red there, but this is your basic inverted triangle shape. Basically, as long as you make sure the shoulders create an exaggerated silhouette that highlights the waist, you’re doing the top heavy thing right. Generally, you don’t wanna shrink the waist too much or else it looks REALLY weird, so if you want to exaggerate the shape more, try to focus more on the arms and shoulders. Keep the hips narrow.
LINING SHIT. Add some core muscles to actually support all that up top. I like making the pecs particularly pointy just to drive home the triangle thing.
It’s ya boi
As requested, here is a basic guide for how to draw Indigenous peoples (mostly focused on North America)! Also please note that this is not an exhaustive list of Native American phenotypes/features, and more like an intro on very common features that can be found in us, and even then, not altogether at once on a single person’s face. I highly encourage the use of references and care taken into research when drawing. I may do a part 2 that goes slightly more into depth, but for now, enjoy part one.
Resouces:
How to draw Native Skin tutorial (don’t draw us red!)
List of Native American Celebrities, which include their tribe(s) and home country, with 1,250 names, to use for your referencing pleasure
How to draw black people by Peachdeluxe, & Black hair in depth by misslaney for mixed black Natives
How to draw Asian People, a guide by Chuwenjie, for mixed Asian Natives AND because it includes a lovely tutorial on monolid eyes, a shared feature of Native people
get drawin!!
a friend of mine was having trouble with a character of hers, he was middle-aged but looked too young, so she came to me for help. i'm something of a middle-aged-man-fan so i whipped up this quick thing to help her out. it might be useful to somebody out there so i'll share it here too!
Hi Fer! I simply love your blog and tutorials so much, but I was wondering on how you draw masculine bodies? My drawings have been female and slender men, and when I try... it just doesn't look right. So any tips can be really helpful because I want to try and draw different body shapes. Thank you so much! <3
easiest thing is probably to widen the shoulders and up the muscle mass! it really helps to study anatomy so you know which areas to exaggerate. a more muscular/masculine person will have a more defined sternocleidomastoid (in blue) and bigger traps (green); basically a thicker neck. playing with the shoulder to hip ratio will help as well. i guess if you want a super manly man just make him look like a dorito
Face tutorial for Anon!
I wasn’t sure whether you meant heads or facial expressions, so here’s a very basic head tutorial! Of course not all faces are the same so proportions and the size of ears/eyes/noses etc. can vary! Feel free to explore and play with them to create unique and interesting characters! I hope this is somewhat helpful, and let me know if you’d like a tutorial on expressions as well!
how do you bodies/torsos so well? i love them!
first off - thank you so much! i don’t believe i’ve ever had anyone ask me about the way i draw certain things, but i’ll certainly try my best to explain the way i do it…
you won’t hear anything from me that you haven’t heard from any other artist already if i were to give you tips for drawing realistic human bodies!
i believe most of the charm comes from the angularity of my style, so every time i have to draw a body i basically break it down into simple geometric shapes. i dont like the whole ‘draw a line, draw a circle, draw an oval’ business so i just go ham with triangles and squares
you can of course polish the sharp angles and make them smoother after you’re done sketching - that’s up to you
you could also combine straight lines, rough shapes with curvy lines and smooth shapes
if you’re using references you’ll actually notice how common the triangular/rhomboid patterns are on a body
lack of realism when using simple geometry also allows for flexibility and creativity (HUGE shoulders, torsos wider than 3 human heads lined up, etc. im my own cop and i say go ape shit with this stuff)
hopefully this is clear enough to answer your question!
I've always loved drawing people and especially portraits. Your art is so inspiring! Do you have any advice on drawing portraits with accurate proportion? What aspects are the most important in portraits, do you think? And what are good exercises? I'm sorry for bombarding you with so many questions! :3
Thank you! There’s one thing about drawing portraits that I don’t think I’ve ever touched on, and it’s the technique of constraining features. Basically, it becomes easier and more intuitive to rotate the face in 3D space once your mind grasps exactly where the features are located and, furthermore, where they can’t be located.
I use a weird double trapezoid shape that I’ve depicted below in red to keep track of facial feature placement every single time I draw a face. It follows the top of the eyebrows, touches the corner of the eye, traces down to the corner of the lips, and finally ends at the bottom of the lips.
The shape of the constraint will change depending on the person’s features, and it works for every angle of the head. For me it really internalized where each part of the face was, as well as where it started and ended. It kinda helps moderate your drawings; i.e., you’ll stop drawing features that are wildly misplaced or off-sized. I don’t literally draw this shape out every time I draw a face, but I see it in my mind’s eye 100% of the time.
If you’re still learning proportions, a good exercise is to grab pictures of people and trace this shape over them (either digitally or with a marker or something) to get an idea of what realistic constraints looks like. Then go back to studying faces, and constantly check your drawing by tracing along the eyebrows and down to the bottom of the lips to make sure that things aren’t off (e.g., the constraint isn’t terribly asymmetric). It takes a while to get used to, but it might help you get a good feel for portraiture.
There’s one other unrelated thing I like to do with faces, and if you’ve seen a lot of my pics you’ve already picked up on it. If you kinda add some shading to the area on the cheek just below the eye and down to the nose, I think it adds a decent amount of depth to a face. Don’t go overboard of course but there’s another little tip that could be of use.
For those of you that don’t know what 4c hair is, 4c hair is a hair texture type that contains coils to small and tight that the hair appears to be more puffy rather than curly ( like to photo below ) this is in NO WAY to be confused with curly hair. there is a drastic difference.
As a black artist that primarily draws characters with 4c hair, I’ve been asked many times to do a tutorial on 4c hair so here we go~
let’s take a look at this example of straight hair vs curly hair ( 1 type straight hair vs 3 type curly hair )
If you take a moment to compare the two you’ll notice straight hair is flat, it has no texture. Straight hair perfectly hangs down similar to liquid-like silk. It’s lack of curl pattern is the reason as to why it hangs perfectly flat.
curly hair on the other hand doesn’t lie down flat and silky like straight hair, It’s more thick. Curly hair in it’s raw and unstyled state has a trapezoid like shape this is because the sides of the hair spread more outward.
the answer to that question is a thing called piling up. When it comes to hair texture, the shape of the hair strands aren’t the only thing that matters, its how the strands coexist with each other, Curly hair strands coexist by piling up on top each other.
moisture also effects hair texture too, different hair types absorbs moisture differently, thus the thickness of each hair type is different.
Well let’s take a look at the drawing below. Notice how the arrows go outward more as the hair texture gets curlier. As we’ve already discussed, this is because hair piles up, The curlier the hair texture, the more it piles up on each other, the bigger it gets, the more outward the arrows go.
Out of any hair texture, 4C hair has the most curls. Because of this, the hair piles up on each other so much that it doesn’t lie down flat like straight hair, nor does it make a trapezoid like shape like curly hair, it instead becomes more cloud like.❤️
Think of it as piling up a bunch of cotton balls on each other. The most cotton on top of top to lead to a bigger patch of cotton. this is 4c hair.
Garnet fanart. Let’s talk about Garnet Fanart. I notice a trend that when artists draw Garnet from Steven universe, her hair texture is usually changed to 3 type curly like texture. This subtle form of White washing has confused me because this is inaccurate.
Garnet’s hair is in the shape of a cube. Though 3 type hair piles up on each other, it isn’t curly nor thick enough for their hair to stay in the shape of a cube. Curly hair lies down more than 4c hair. So garnet’s hair being in the shape of a cube is a dead giveaway that it is 4C. Why do you think hairstyles like flat tops are usually seen on black men with 4c hair? It’s because, the 4c hair texture is thick and strong enough to stay in whatever shape you put it in.
please, if you’re drawing a character with 4c hair, avoid drawing it like curly 3 type hair, this is very anti-black and texturist.
honestly, its the most easy thing in the world
i wanna clarify that blobby looking 4c drawings ( like the one on the top left ) can work depending on how cartoony your art style is.
Another thing that I want to greatly clarify when it comes to drawing 4C hair is, YOU. DONT. NEED. TO. DRAW. EVERY. HAIR. STRAND!…..like, seriously. I’ve gotten many messages about how 4C hair is hard to draw, and it’s always left me confused; but then I find out that the same people that have trouble drawing 4C hair, attempt to draw every single strand of hair. This is unnecessarily time consuming because it’s merely impossible to get every single detail down, especially when you have a simple cartoon style. 4C hair does not require much effort, all you’re doing is drawing lumps. It’s that simple, nothing more nor nothing less.
The reason why I greatly advise all of you to avoid drawing every single hair strand is because in real life, when you look at a 4C textured Afro, your eyes don’t pick up on each individual hair strand like straight or curly hair. 4C hair, appears to be more undefined and cloud like, so attempting to draw each and every individual strand is unnecessary and will most likely end up looking inaccurate.
So my friend Night expressed a general desire for help with profiles, and I figured I’d go ahead and whip this up! I’m no anatomy master or anything, but this is stuff that helps me quite a bit, so I figured I’d share… even if I have no idea how helpful it actually is. Writing tutorials is hard! Ah well, I hope it can be of some use.
Any posts about drawing necks that connect to the body?
OP: https://twitter.com/Manga_Materials
OP: http://fav.me/dco47xm
By kelpls on tumblr!
The question is a little vague, but I hope this helps! I found these on pinterest and couldn’t track the OPs. Please lmk who the artists are if you know!EDIT: Added credit!