Steve Wheeler (American, 1912-1992), Decoy For Dog, C.1943. Tempera On Paper Mounted On Board, 65.1 X

The Starry Night over the Rhone at Arles, 1888. Oil on canvas.

Vincent van Gogh's birthday is today, March 30th. If he were still around, he would be 171 years old.

The Scream, 1893, Edvard Munch

Medium: pastel,cardboard

https://www.wikiart.org/en/edvard-munch/the-scream-1893-1

Jean-Michel Basquiat, "Bird on Money", 1981

Franz Kline (USA 1910-1962) Yellow, Orange and Purple (1955) oil on canvas 200.7 x 131 cm

Joan Miro

Constellation, 1933

The messenger of autumn via Paul Klee

Lee Krasner Easter Lilies 1956 Oil on canvas 48 x 60 in. (121.9 x 152.4cm) Seattle Art Museum

Wassily Kandinsky

"Several Circles", between January 1926 and February 1926

Oil on canvas, 133 x 140.7 cm. (52.3 x 55.3 in.)

The Solomon R. Guggenheim Museum, Manhattan, New York City

Untitled, Elisabeth Wild, 2019, Art Institute of Chicago: Contemporary Art

Elisabeth Wild’s colorful and abstract collages emerge from her rich life experiences and the artistic practice she has developed over the past six decades. Born in Austria to Jewish parents, Wild escaped the Nazi regime and fled to Argentina in 1938. She worked in textile design, marrying textile industrialist August Wild. Due to the volatile political climate in Argentina, the family moved to Basel, Switzerland, in 1962. Wild returned to South America in 1966 and joined her daughter, artist Vivian Suter, in Panajachel on Lake Atitlán in Guatemala. While their home at the edge of the rainforest may have appeared serene, violence caused by natural disasters and drug trafficking continually impacted their life.Evoking the still-life paintings that were foundational to her early practice, Wild’s later collages balance figuration with abstraction. The rich colors and patterns recall her work in textile design and are often inspired by the visual traditions of Argentina and Guatemala. Making collages became a daily meditative ritual for Wild. She would leaf through fashion and lifestyle magazines and take fragments from their commodified context, combining them with cutouts from colored cartons and glossy paper and rearrange them into complex compositions that visualized the artist’s inner experience. Part of a series titled Fantasías, the collages are, indeed, fantastical spaces to encounter, our eyes moving from the light-blue wall (its color chosen by Wild herself) into the artist’s kaleidoscopic world. Promised gift of Leslie Bodenstein and Jason Pickleman Size: 22.2 x 18. 7 cm (8 ¾ x 7 3/8 in.) Medium: Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen

https://www.artic.edu/artworks/250626/

The City I Dream, 1937, Victor Brauner