I think a lot about how often people talk about 'humanity' in TMA and I feel like debating who is 'human' and why really misses the mark. Not one of these posts (as far as I've seen) definitively defines 'humanity' and I think to some degree that's because maybe people realize how hard it is to define without Diogenes figuratively breaking down the door to prove them wrong.
Like a huuuge part of the story delves into the edges between what we call "human" and what we call "monster." Some examples:
Gertrude is consistently referred to as "staying human" because of never becoming an avatar, yet she committed greater atrocities than most anyone else in the story.
Daisy's whole deal was hunting down 'monsters' and in the apocalypse, many of her victims were the 'watched' being tortured in domains. (She didn't kill Dr. David; she went for one of his victims. Iirc all of her kills in s5 were victims in domains.)
Basira never truly became an avatar, and yet admitted herself to the ways she enabled and egged Daisy on while turning a blind eye to her actions
As a foil to Gertrude, Jon became full on 'monster' and yet never lost sight of how much people were suffering. He made remarks about how nobody 'deserves' one fate or another, and constantly wrestled with the idea of making choices that would have sweeping consequences that victims couldn't have a say in.
Jonah's incredibly mundane and physical death despite his near godly status
Let's talk about how often avatars were victims of the fears they came to serve; Oliver Banks, Tova McHugh, Nathaniel Thorp, and so on
My point here is, 'human' and 'monster' are arbitrary categories and I've always read it as this being an intentional blurring. Whether Jon was human or not is irrelevant, for a few reasons that the story hit on not-so-subtly:
Humans (Gertrude) are capable of atrocities
"Monsters" are often defined differently depending on who you ask (Daisy)
People who do awful things are still capable of being victims of systems/institutions/circumstances (Helen, Callum Brodie, Jane Prentiss, arguably Annabelle)
Jonny has said before that he tries not to push a "moral" or a "message" in his work and instead prefers to ask a question and explore it. I think TMA was, at least in part, an examination of both humanity and dehumanization. The work truly never actually defined either and dug into whether one was right or wrong, recognizing that people tend to build their own rationalization for why a person should be in one of these boxes. Most people who talked like this within the story had very clear criteria for what they considered "monsters" and they varied drastically.
Idk I've read Thirteen Storeys and Family Business and one thing that I've always felt is present in Jonny's writing is that people are capable of both incredible good and incredible evil and a lot of people have done both. Trying to ignore that wholeness and define individuals as exclusively victims ('humans') or perpetrators ('monsters') is truly not possible without selectively judging people, and human judgment is notoriously flawed.
All my current hyperfixations are by this man š
My muse ā¤ļøā¤ļø
Iāve been relistening MAG 49: The Butcherās Window and this part caught my attention:
Jared pulled out what appeared to be a handful of ribs. He considered them for a few moments before he began to twist them like warm putty, making them into some sort of braid.
I immediately saw Jared Hopworth as thorough artist. He doesn't just bluntly take out the bones, but he treats them like art, he makes things out of them before putting them in himself. So I came up with an interesting image. In fact, Jared makes different types of bone jewelry: wreaths, necklaces, belts. When he puts them on, after a while, the jewelry dissolves into him and becomes part of his body, forming his huge, uneven body. Since the Flesh is associated with appearance and body expression, it makes sense if Jared Hopworth, the king of The Flesh, would be covered in handmade delicate jewelry, which is for him a symbol of beauty and art.
ok au where after becoming archivist jon starts getting into the habit of making vent tiktoks in his car after work because tim showed him how and at first he was like āthis is stupidā but then it genuinely started helping him decompress so he just kept doing it in secret. and he eventually he gains a minor following who are becoming increasingly concerned because it goes from āthe most INSUFFERABLE statement giver came in todayā to āi got fucking KIDNAPPED AGAIN!!!ā
thought of the day: the more terrifying moments in tma arenāt about monsters at all, but what humans resolve to out of desperation. like melanie calmly asking to call her an ambulance when sheās about to go blind. or jon sawing his finger off again, and again, and again
I donāt want a ārealistic transition goalā, I want to be the type of thing youād hear about on an episode of the Magnus Archives
WHY IS THIS ALICE?
No takesies backsies
maybe donāt hire Martin
bonus:
Iāve seen so many versions of the tma finale where Jon is a distorted thing with a bunch of eyes floating above the ground but hear me out:
The moment Jon becomes the pupil of the eye, he looks even more like himself than heās looked in years.
I dunno I feel like the implications are kinda sick.