As it is Passover again, it is time for the annual debate as to whether the frog plague, which thanks to a quirk in the Hebrew, is written as a plague of frog, singular, rather than the plural, plague of frogs, was in fact, as generally imagined, a plague of many frogs, or instead a singular giant Kaiju frog. This is an ancient and venerable argument that actually goes back to the Talmud because this is what the Jewish people are. If we can't argue for fun about this sort of thing, what are we even doing.
In that spirit, I would like to submit a third possibility, which is that in fact it was one perfectly normal sized frog, who was absolutely acing Untitled Frog Game: Ancient Egypt Edition. One particularly obnoxious frog, who through sheer hard work, managed to plague all of Egypt.
Transgender community, please please please do NOT use this product! It will kill you if used, please do not use it whatsoever.
Please reblog and spread the word
If you've ever been disappointed by dragonfruit, especially if you felt like it tasted like nothing, then I'm like 90% sure you had unripe dragonfruit, which tastes like nothing. There's a small window of time where it tastes amazing. You must have the patience of a hunter. Do not strike until your prey is at its most delicious
so pretty
*accidentally* wet his robe and made him wear this:
I'm so sorry Frollo...(It will happen again).
Could you give any advice for "descriptive" writing of any scene or action scenes or mapping out the scenery (Mountains, forests, streets etc) - i believe this is a struggle for Non-English speaking writers due to lack of vast vocabulary.
Vocabulary is clearly an important part of description, but it doesn’t have to be a limit. The most important thing about description in fiction is picking the right details to mention:
How does the details add to the mood of the story? A mountain ridge will be dark, gray and foggy if the overall mood is meant to be mysterious/brooding. In contrast, a mountain can be brilliantly snow-capped, lush green and “smiling down” upon the character if they’re out for a light stroll.
How are the contrasts/complementary aspects being brought out?
Are you using the five senses? You can even combine the senses, ie. blue ringing of the church bells
(If you have the POV character) what
Some other tips for setting description:
Use similes and metaphors. Creative figures of speech always get my attention as a reader.
Mention story-specific elements. For example, “The sky was the shade of Zoes’ eyes” or “the mountains looked like a group of trolls sleeping on one another”
Be concise. Today’s readers don’t want to read paragraphs and paragraphs about one landscape. Outline the larger elements in the scene, their location and general mood. Add some details, then move on.
If the same location appears multiple times, differentiate the description little by little as you write, instead of trying to lay out one scene in too much detail at once.
That said, here are some helpful words/phrases:
Color: bone-white, phantom-white, hazy gray
Sound: rumbling, booming grumbling, bellowing clapping, trundling, growling, thundering
Shape: crinkled, crumpled, knotted, grizzled, rumpled, wrinkled, craggy, jagged, gnarled, rugose
Action: sky-punching/stabbing/piercing/spearing, heaven-touching/kissing, snow-cloaked/hooded/wreathed/festooned
Sloping sides, sharp/rounded ridges, high point/peak/summit
Majestic, gargantuan humbling, vast, massive, titanic, towering, monumental, mighty, vast, humbling
Mountains having faces, etc.
Color: blue-green, crystal-clear crystalline, emerald, frothy, hazy, glistening, pristine, turquoise
Size: boundless, abyssal, fathomless, unconquerable, vast, wondrous
Sound: billowing, blustering, bombastic
Action: boisterous, agitated, angry, biting, breaking, brazen. Churning, bubbling, changing, brooding, calm, convulsing, enticing erratic, fierce, tempestuous, turbulent, undulating
Alluring, blissful, betwitching, breezy, captivating, chaotic, chilly, elemental, disorienting
Sight: A landscape of sand, flat, harsh sunlight, cacti, tumbleweeds, dust devils, cracked land, crumbing rock, sandstone, canyons, wind-worn rock formations, tracks, dead grasses, vibrant desert blooms (after rainfall), flash flooding, dry creek
Sounds: Wind (whistling, howling, piping, tearing, weaving, winding, gusting), birds cawing, flapping, squawking, the fluttering shift of feasting birds, screeching eagles, the sound of one’s own steps, heavy silence, baying wild dogs
Smell: Arid air, dust, one’s own sweat and body odor, dry baked earth, carrion
Touch: Torrid heat, sweat, cutting wind, cracked lips, freezing cold (night) hard packed ground, rocks, gritty sand, shivering, swiping away dirt and sweat, pain from split lips and dehydration, numbness in legs, heat/pain from sun stroke, clothes…
Taste: Grit, dust, dry mouth & tongue, warm flat canteen water, copper taste in mouth, bitter taste of insects for eating, stringy wild game (hares, rats) the tough saltiness of hardtack, biscuits or jerky, an insatiable thirst or hunger
Dusty, fume-filled, foul, sumptuous, broad, bucolic, decayed, mournful, seemingly endless, empty, unpaved, lifeless, dreadfully genteel, muddy, nondescript, residential/retail
Bleach, flimsy, silent, narrow, crooked, furrowed, smoggy, commonplace, tumbledown, treeless, shady
The blacktop streets absorb the spring sunshine as if intent upon sending heaven's warmth back through my soles.
The streets absorbed the emotions in the air, the city as the steady and reassuring mother.
The streets were a marriage of sounds, from bicycle wheels to chattering.
In the refreshing light of early daytime, the streets had the hues of artistic dreamtime, soft yet bold pastels.
Cobbled streets flowed as happy rivers in sunlight.
Some extra tips for locations like parties, where lots of action is going around practically everywhere:
Focus on the important characters - where they are, who they’re with.
Provide some overall description of the structure of the party scene (a pool, a two-storey house with yard?), then move on to details.
Don’t try to describe everything.
whirlwind of laughter and music, a symphony of joyous chaos.
It was a gathering that shimmered with the glow of twinkling lights and echoed with the rhythm of dancing feet.
The air was alive with excitement, buzzing with conversations and the clink of glasses.
Every corner held a story waiting to unfold, a moment waiting to be captured in memory.
It was a tapestry of colors, a mosaic of faces, each adding their own brushstroke to the vibrant canvas of the night.
Laughter cascaded like a waterfall, infectious and unstoppable, filling the room with warmth.
The night was a carnival of senses, with aromas of delicious food mingling with the melodies that filled the air.
Time seemed to slip away in the whirl of the party, moments blending into each other like colors on a palette.
The energy of the crowd was electric, pulsing through the room like a heartbeat, binding everyone in a shared moment of celebration.
It was a celebration of life, where worries faded into the background, and the present moment was all that mattered.
And if I wrote a trope of Bill Cipher being like Roger Rabbit and the reader as Jessica Rabbit would y’all read it?
theyre so silly
the people yearn for turn of the century sonic gijinkas
here are my many inspirations
An old soft proofing tutorial of mine that I’ve been getting requests to post again.
I might know of our future, but then you still control the past.
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