“Stop Apologizing. You Don’t Have To Say Sorry For How You Laugh, How You Dress, How You Make Your

0328 조승우님, 생일 축하합니다! スンウさんお誕生日おめでとうございました！

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제54회 백상예술대상 TV부문 남자 최우수 연기상 ‘비밀의 숲’ 조승우 배우님 정말 축하합니다~! 第54回百想芸術大賞、TV部門男性最優秀演技賞 「秘密の森」チョ・スンウさん、本当におめでとうございました! はちゃめちゃに素敵でした…もうめっちょすき!!!

I lied, put your clothes back on

I'm going to explain to you why Altan, Qara and Chaghan are the characters that were telling us in advance about the end of the trilogy and the trifecta formed by Nezha, Rin and Kitay but we didn't pay enough attention to them

Altan, Chaghan and Qara are the" failed" trifecta

Altan's sacrifice breaks the cycle, paving the way for Rin, Kitay, and Nezha to become the next generation of the trifecta

Each reflects the mistakes of the past: Rin as Altan and Riga, Kitay as Qara and Jiang, and Nezha as Chaghan and Daji, all trapped in the same vicious cycle

In the end, Rin understands that, like Altan, her destiny is to sacrifice herself to break the cycle. Her death, along with Kitay's, leaves Nezha alive and ruling, mirroring Chaghan's fate

In the dynamic of Rin, Kitay and Nezha, it is clear that they represent an echo of Altan, Chaghan and Qara's failed attempt. Rin takes Altan's place as the center of destruction and strength, Kitay represents strategic and emotional stability as Qara did, while Nezha, being the only one left in the end, is a distorted version of Chaghan, the survivor who carries the weight of the world

Rin understands, at the end of the trilogy, the meaning of Altan's sacrifice: not only was it necessary to break the cycle to create something new, but his sacrifice was also an act of love towards her, giving her the opportunity to build a future that he never had. Rin's sacrifice reflects that understanding, breaking the cycle of hatred and revenge that Riga perpetuated in his generation

(I hope you understand, English is not my native language)

I should be drawing I Know...

My body my choice was never given to the girls in the red room 

The Black Widow movie highlights all the problems I had with the way Joss Whedon approached the forced hysterectomy aspect of Nat’s background.

As Yelena notes when she shows Nat her vest- the girls of the Red Room don’t have bodily autonomy. They can’t make any decisions for themselves. The hysterectomy bit in the plane acts as a very vile and vivid example of this.

Joss Whedon chose to put all his focus on the “no kids” angle instead of the bodily autonomy angle. In his eyes the horror was the absence of child bearing, not the absence of choice. To him- it’s a given that all the girls in Red Room would’ve had babies if their lives had gone differently- bc women who can’t have children are monsters and societal outcasts.

When Nat inquired about Yelena wanting kids she replied that she wanted a dog. I take this as Yelena doesn’t want kids, BUT she still mourns the loss of that choice. She resents how she never had a chance to come to that realization herself. Which, for most women, will hit home more than just “shes infertile and it’s the worst possible thing that could happen to her.”

When Aemond sees Lucerys

I don't care if people ship Jonsa, but stop stealing content from Jonrya and somehow making it about Sansa when it's actually about Arya. And stop lying about Jon and Sansa's importance to each other.

Jon and Sansa rarely think about one another. Sansa thinks about Jon one time while pretending to be a bastard, and that was only after someone else brought him up. And that was the first time she thought about him since AGoT.

Jon, on the other hand, hardly thinks about Sansa either. It's Arya that he misses even more than Robb, and Arya who misses Jon the most out of all her siblings.

Jon compares Ygritte to Arya, not Sansa.

Jon wants to kill Ramsay for being betrothed to Arya, not Sansa.

Jon sends Mance to find the grey girl on a dying horse which was supposed to be Arya, not Sansa.

Jon was willing to forsake his vows to the Night's Watch for Arya, not Sansa.

Jon's favorite person in the world is Arya, and Arya's favorite person is Jon.

Rin and Venka hii 🤲🏼🫠

I'm currently into making song lyrics edits !

Toxic ?Fandom

I want to be able to love Taylor's music without putting people down or fuelling the fire of gossip. I know the Reputation tour movie has been removed from Netflix but Miss americana is still there, people go and watch it before tweeting- "oh Joe beware. she's coming for you or Travis is the best thing happened." We, swfities have very selective perspective at least that's what I have realized while I was scrolling the x( formerly Twitter). Why bother putting people down to make Taylor and Travis look amazing. They are amazing on their own. Why can't we appreciate and love Taylor's music beyond her relationships?

I mean Taylor had to make sure everyone knew it was fictional while releasing the Folklore album so people wouldn't speculate about her love life.

I am eagerly awaiting for #TTPD but I don't like the speculations that are ongoing for Joe.

Why for once we can't be mature enough, so it doesn't affect Taylor. I have said it before and I'm saying it again, TAYLOR doesn't want her fandom to put a stake through her ex-boyfriends, her re-recordings are her way of owning her works not for her fandom to go and dragging them again, like posting/flooding Jake's Instagram during Red (Taylor's Version), or like giving death threats to Jhon during Speak Now (Taylor's Version). Now putting a stake through Joe while he is out there, showing his support for world genocide. There is a reason Taylor got a bad reputation, it's because of us, the Swifties.

I Am the Brother of XX by Fleur Jaeggy // the sorrow festival by erin slaughter// Monster Movie by Nicola Maye Goldberg // Unicorn by Angela Carter // History of my brief body, Billy-Ray Belcourt // Lucerys Velaryon and Aemond Targaryen, House of the dragon

fatima aamer bilal, from being unwanted is a language.

[text id: the world is happening in a room that i can't enter, life is happening in a gathering i am not invited to. / being unwanted is a language i am fluent in.]