“Fareed Lafta”

Concept work done for Syn Studios’ Gathering of the Masters ‘18  ‘Tron in the Daylight’ workshop.  Had fun returning to my comfort zone! Started out as a building that became a ‘Yacht’ of some variety … super fun. 

Just putting some finishing touches on this piece of Mor and Awyr. Dr Martins watercolors and Deleter 2 white ink with faux sable brushes on Arches hot press watercolor paper.

lizzingtonweek | day two. fave quote (either said by them, said about them, or a quote you think fits them)

that’s polaris. the north star. that’s how sailors used to find their way home. when i look at you, that’s what i see. i see my way home.

this is the quote that killed me. said so softly and easily. when just seconds before he hadn’t been able to come up with the words. red’s salvation, red’s redemption, has always been through lizzy. and it’s these short sentences that show just how hard he’s trying to get there.  and the quick way she turns to look at him. how she just stares and learns so much about him from his confession.  this entire scene is the epitome of lizzington to me and short of a love confession, nothing will be better than this.

Swarm Chandelier by Zaha Hadid

Port House, Antwerp Zaha Hadid Architects 2016 Filip Dujardin

Getting warmed up for an inking project! 

Materials: Yasutomo black sumi ink, Zebra fine tip felt brush pen, faux sable brushes, deleter 2 white ink. Music is “sweet piano” from Audioblocks! Filmed on my Sony RX100 v, edited with Adobe Premier

65 Irving Place, New York, NY ($21.5 million USD)

Hotel Puerta America - Madrid, Spain (2003-2005)

Each floor was designed by a different architect: Norman Foster (Image 1), Kathryn Findlay (2-3), Marc Newson (4), and Zaha Hadid (5-7)