DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”

DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”
DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.03 “The Locked Room”

DETECTIVE RUST COHLE, from TRUE DETECTIVE 1.03 “The Locked Room”

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Robot Carnival (1987)
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Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)

Robot Carnival (1987)


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1 year ago
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD
THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD

THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD

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part 1


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1 year ago
BEE LB, From "friction Polish"

BEE LB, from "friction polish"


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1 year ago
I Love You In The Strongest Way There Is
I Love You In The Strongest Way There Is
I Love You In The Strongest Way There Is
I Love You In The Strongest Way There Is
I Love You In The Strongest Way There Is

i love you in the strongest way there is

via nozu on tumblr // richard siken // charles bukowski // nothingbutloveforyou on tumblr // inanotherunivrse on tumblr.


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1 year ago
I'll take a quiet life
A handshake of carbon monoxide

And no alarms and no surprises
No alarms and no surprises
A shot from Safe (1995) of Carol White, played by Julianne Moore, in her suburban living room, holding a glass of milk. She is centered in frame, and stares blankly into camera
THE SUBURBS DREAM of violence. Asleep in their drowsy
villas, sheltered by benevolent shopping malls, they wait
patiently for the nightmares that will wake them into a
more passionate world.
A shot from Blue Velvet. A man lays, collapsed, on his lawn. His hose is still running; a dog has climbed on him to drink from it. A child with a lollypop wanders through the gate
And you may ask yourself, "How do I work this?"
And you may ask yourself,
"Where is that large automobile?"
And you may tell yourself,
"This is not my beautiful house"
And you may tell yourself, "This is not my beautiful wife"
A shot from Little Shop of Horrors of a house on a white lawn against a blue sky. The scene has a sense of artificiality about it - the lighting is all wrong, the sky like a painted backdrop. Seymour and Audrey, in a suit and wedding dress respectively, stand in the doorframe.
I think the traditional preoccupations of cosmic horror are ultimately
charming and quaint in comparison to that endless atrophy
wouldn't it be a relief to gaze into the maw of an eldritch god once,
confirm the truth of existence, and lose your mind entirely?
At least that'd have a sense of resolution to it. At least then you
could stop pretending that everything was fine.
A shot from Vivarium. Rows and rows of identical green houses. On the roof the center one, arranged sheets spell out "HELP"
So we were lying in bed afterwards
And she asked me
What made me frightened
And I said...
I'm frightened of Belgian Chocolates
I'm frightened of potpourri
I'm frightened of James Dean posters
I'm, I'm frightened of 26" screens
I'm frightened of, of remote control
I'm frightened of endowment plans
I'm, I'm frightened of figurines
Ow!
I'm frightened of evenings in the Brincliffe Oaks
Searching for the...
Conversations
A shot from the Truman Show. Truman, played by Jim Carrey, climbs a set of stairs against a wall. Both the stairs and wall are painted like a blue sky with clouds.
Murray and I extended the range of our contemplative
walks. In town one day he went into small embarrassed
raptures over diagonal parking. There was a charm and a
native sense to the rows of slanted vehicles. This form of
parking was an indispensable part of the American
townscape, even when the cars were foreign-made. The
arrangement was not only practical but avoided
confrontation, the sexual assault motif of front-to-back
parking in teeming city streets.
Murray says it is possible to be homesick for a place
even when you are there.
Three panels from the comic Supergod. 

The first panel shows a dove flying above a home. 

The second, the dove crashing into the dome of the sky, revealed to be artificial. bubbles read: AN UNDERGROUND
AMERICAN SMALL-TOWN HEAVEN. THE KIND OF
PLACE AN ALL-AMERICAN DEADMAN WOULD HOPE AND PRAY TO FETCH UP IN.

The third panel, a white, middle-aged man stands in a pilot's uniform, drinking a beer. Bubbles read: I LIKE TO IMAGINE HIM THERE BY HIS LITTLE PICKET FENCE IN FRONT OF HIS LITTLE HOUSE, BREATHING IN THE AIR- CONDITIONING OF HIS LITTLE HEAVEN. NEVER QUESTIONING HIS EXISTING WITHOUT EATING, DRINKING OR SLEEPING, BECAUSE HE THINKS HE'S DEAD. PERHAPS HE THINKS OF THE DAY HE VISITED EARTH.
But I don't think so. But I think about it. And I think, well, I can't be. Because I'm like
you, I kinda look at the big long life ahead of me that stretches out forever and
disappears. And I get scared. And I think, "this can't be Heaven if I'm getting scared,
right?"
And then I think, "maybe I am in Heaven, and Heaven is scary."
A photograph of a 70s underground Cold War bunker in Las Vegas. It features an imitation of an outdoor suburban home, complete with painted backdrop and fake trees, cut off by the ceiling.
Ask yourself: is there something sinister in moralism?
And then answer: no. God is in his heaven. Everything is
normal on Earth.

suburbia; or the sad, quiet horror of getting everything you ever wanted

"No Surprises," Radiohead // Safe (1995) // Kingdom Come, J.G. Ballard // Blue Velvet (1986) // "Once in a Lifetime," Talking Heads // Little Shop of Horrors (1986) // Jon Ware on I Am In Eskew // Vivarium (2019) // "His 'n' Hers," Pulp // The Truman Show (1998) // White Noise, Don DeLillo // Supergod, Warren Ellis and Garrie Gastonny // 17776, Jon Bois // photograph of 1970s Las Vegas underground Cold War bunker // Disco Elysium, ZA/UM


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1 year ago
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”

“You and I have begun to blur… I’m curious whether either of us can survive separation.”

Hannibal (2013-2015)


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1 year ago

Band-aids of death

Masterlist

Luke Castellan x Hades! reader (implied, fem)

Percy Jackson x Hades! reader (platonic)

Summary: Percy meets the bandaid dealer who has his friend so smitten

Warning: Absolutely non, teeth rotting stuff really, no use of y/n

author note: English is not my first language so I am sorry for any mistakes beforehand. I read the books long ago and I'm currently in the process of re-reading them, so some lore might be wrong. Also using what I remember from the show! Proofread by me and me only :(

word count: 1347

Band-aids Of Death
Band-aids Of Death
Band-aids Of Death

Percy has been in at this camp stuff for a week now and he was just not loving it. From the overcrowded cabin 11 to Clarisse's relentless bugging, he just wanted to go home. This was his home now, yes, but that does not mean he can't yearn for better. And on top of all that, it seems like he's good at absolutely nothing. If there was a competition at being bad at everything he would still somehow end up in second place.

Today was no better. Luke, Counselor of the Hermes cabin, has decided that maybe Percy could take on a sword fight. He couldn't. Not like he could go against the best swordsman in the last 300 years anyway. After what felt like hours, Luke finally gave the boy a break and Percy felt like he could breathe. Only for a second that is, because his friend decided to take him to a new area of the camp.

Walking to a small building only lightly connected to the infirmary was rather ominous. While everywhere in the camp where people, this shack could be abandoned and he would not be surprised. His friend. however, walked faster than normally, seemingly excited to show him what's inside.

They stopped by the open door and Percy could finally see that it was not abandoned and the little two-story house was, indeed, occupied. Looking at his friend with suspicion, who now sports a wide grin on his face, Percy could not help but think there was more to it than Luke said.

Walking in, Luke chimes the bell that sits on the top of the door frame. The girl who, until now, was checking out the shelves of what seems to be medicine and chemicals turns around with a confused look. She wore the same ‘ camp uniform ‘ as everyone else, confirming to Percy that she was one of them as well. Although her shirt seemed to have switched color schemes and was black with an orange print of the camp name.

“ Hello Sweetheart, how's the inventory going?” Luke asks and pushes Percy slightly in front of him, not something he appreciates. The girl, unamused, does not answer his question. Instead, she answers him with her own. “ What brings you here, Castellan? Last time I checked you did not need allergy medication.” Chuckle could be heard from his friend. Percy, not interested in their bickering, looks around the room. Small table by the door with a stack of paper, a black mysterious jar, and what Percy recognizes as an old land-line phone. One wall of the room was just a shelf with what he now knows for sure is medicine with a door at the end. By the window, there was an old medical bed, and next to it, stood, by Percy's standards, an unstable chair.

A hand on his shoulder snaps him out and he turns his head back to the girl. “ So what's wrong with you?” She asks and motions him to sit on what seems to be a more sturdy version of the same chair he just saw. “ Other than that I suck at everything and my father not bothering to claim me? nothing much really.” Laugher was heard from the two older campers. 

“ No, I meant like, why are you here guys? If you were training with Lu here, you might have some scratches.” She points to Luke, who seems to be proud just of the fact that she acknowledges him.  Before he can answer she continues, “Although if you're seriously hurt, maybe you should visit the Apollo kids, I ain’t no nurse, really.”

“ No need for that, we just need some band-aids.” Luke proclaims and pats his chest where his heart is. “ You have bandaids in your cabin, and I know for sure, I saw your siblings steal some. “ she snapped back softly at his friend.’ It's in their nature’ Luke says under his nose and takes a few steps to the girl putting his arm around her shoulders. “ Sweetheart here is a terrible nurse-”

“Hey! I am an excellent necromancer!”

“Too bad that your patient is still alive, Sweets,” Luke argues back at the girl. She just shakes her head and walks behind her desk. Luke follows closely behind her like a magnet was pulling him over. Percy watches as she opens a drawer and pulls out the biggest box of band-aids he has ever seen. “ What kind do you want, em…” She looks at him kinda awkwardly. 

“Percy.” “ Right, Percy, do you want Spiderman band-aid? It's a big hit with the younger campers.” She smiles and pulls out an impressive collection of Spiderman band-aids. “ Ah, no, normal ones are fine.” I watch as a pout appears on her face as she puts them back and starts to look through the box as if looking for something. 

“I want the Spiderman one.” Chimes in Luke who is now leaning over this girl. “ You can get the boring ones, Castellan, I don't care.” It was now Luke's turn to pout. “ What cabin are you from?”  Percy asks, wanting to learn some more about the girl that has his friend so smitten. Her eyes look up at him before going back to her box.

“ I don't have a cabin, I sleep on the second floor. There is a staircase in the back.” She says as it is the most normal thing ever. Which it was, just not in camp half-blood. That confuses Percy, from what he learned at the camp so far, everyone that has been claimed either has a cabin or just sleeps in Hermeses one. So that is exactly why he asks. “ Why don't you sleep in Hermes cabin?” The girl straightens her posture, seeming in thought. His friend hugged her from behind around her shoulders. They remind him of an old married couple. 

“Well, there are cabins for the twelve Olympians. My dad has no throne on Olympus. He kinda does his own thing down under.” “ Australia?” “No Percy, the underworld.” She says though giggles and wiggles herself from the hug. She makes her way forward to Percy and stands in front of him carefully peeling parts of the band-aid. 

“ Your dad is Hades?” Hum leaves her as an answer. Focusing on placing the band-aid right above his eyebrow where he scratched himself earlier during training with Luke. When she's done, she turns to a black jar on her table and opens it. To Percy's surprise, she pulls out a lollipop and gives it to him. “You're good to go fighter, Don't stay here longer than you need to!” She sings and ushers the boy out of the chair and to the door. Percy turns to his friend,

 “ Luke, are you not coming?” he asks waiting for him to answer. Luke gives him a look of fake thought, Percy knows it's fake because he, himself used it many times back at the academy. Luke shakes his head and smiles.

“No, I haven't been treated by my nurse yet.” The girl groans and snaps her head to the sky. Percy just shrugs and walks out of the building. As he opens his lollipop, he turns his head back to look at his friends.

He can see Luke being peppered with kisses on his face. When the girl moves he can see a band-aid with hearts that now decorates the scar on his face. Percy just chuckles and moves on, determined to find Grover or Annabeth to tell them what he witnessed. He failed to notice his bright blue bandaid with bubbles on it.


Tags
1 year ago
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song
Past Lives (2023) | Dir. Celine Song

Past Lives (2023) | dir. Celine Song


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1 year ago
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).

society of the snow (2023).

on burden and death.


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To be embodied was to be the altar and the flesh and the knife.

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