The Year Is 2025

the year is 2025

scientists are still scrambling to figure out what “zigazig ahh” is so that they can give the spice girls what they really really want

the spice girls are getting impatient

war is upon us

More Posts from Fallingstarinspace and Others

1 year ago
Get in losers we're stanning Zutara
Apologies for how long it took to get this up. Your wait is finally over. My magnum opus is here.0:00 - Irrefutable Evidence that Zutara is the Superior Ship...

Happy Zutara month everyone :)

Edit: Also, you might wanna watch it sooner rather than later. Viacom’s copyright-claimed it, and I’m disputing it but there’s still a chance it might get taken down. So watch while you can! 😂😂

1 year ago

academic rivals who use their last names to refer to each other will always be supreme

2 months ago

grwm to forgive myself


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2 months ago
#the Progress Tho
#the Progress Tho
#the Progress Tho
#the Progress Tho

#the progress tho


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4 months ago

I have to be honest: if Katara had gotten the same treatment Toph did in ATLA, people would like her much more.

What do I mean about “getting the same treatment”? In many moments of the show, I realized that Katara was written differently than Toph (in the sense of how female characters are written). Toph is given much more substance and power showing scenes than Katara. She’s a genuine person that it’s not being written for a particular cause and has her story ending already written; she gets to do more and be more. While, for me, Katara has moments where she gets to be the amazing, waterbending master, that’s fair and loving (that to me are the scenes that show the true Katara), and then there are others where it seems she’s not allowed to be anything more than a plot device.

The episode that got me into that conclusion was “The Day of the Black Sun”. Katara does nothing in that invasion. Absolutely nothing. There’s a small scene of her attacking people, then her father gets hurt and she’s immediately removed from the story. While, Aang, Sokka and Toph go kick people’s butts and do something, Katara is (off-screen) healing her father. I wouldn’t have a problem with the trio fighting together, if it was shown Katara doing something important as well. While, Toph gets to be a person and get in fights, showing her skills and “hanging out with the boys”, Katara is only there to fulfill a purpose of that episode’s plot: which is getting kissed by Aang. After that, she’s removed from the narrative.

That’s something you never see happening with Toph. She fights creatively, grows on her power, gets to show her skills and is known to be a badass through the whole fandom, she doesn’t have scenes where she’s downplayed or underused and then just disappears. The reason for that is that she was written as a person with nothing binding her , with no sort of romantic connection to another character; therefore she gets to be a person. Now, this isn’t a post shitting on ‘kataang’ (this is not a post about ships), but Katara was written in many moments as just the romantic interest of Aang, having scenes where her entire actions are revolved around him, like in “The Day of the Black Sun”. Her purpose was to be kissed and now that’s she fulfilled it, she can be removed from the story.

Which makes me come back to my original point: if Katara was given the same treatment as Toph, people would adore her, ‘cause we know what she’s like when written normally: a fair, talented, fighter who guides the group through moments of helplessness and wants to save the world.


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