something about horror as a genre is very inherently similar to romance, but it’s differently romantic. it’s like if romance could be compared to a rabbit, then horror is a hare. a hare is the same shape-ish as a rabbit, but it’s different; it’s upturned and eerie and comes at you from a sideways angle.
i think this connection between the two genres is the presence of love. love as a concept. romance is the genre that beautifies love, and horror is the genre that explores love in ways that aren’t beautiful. horror is the monstrosity of love gone sour, or the absence of love, or the emotions that the intensity of love and pain birth. slasher horror is monstrous obsession, while existential horror always has a narrative that makes you rethink what love means, what being human means. just like romance.
sorry if this makes no sense but i’m willing to talk about this if others discourse politely!
acowstillsees, mixed media by DustyRayPaints
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It’s Benry in gif form,,
I made this inspired by a really really cool fic called Human Resources Violation which you should absolutely read if you like this stuff!! it’s by @kogo-dogo !!
There’s some still frames under here,,
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“夢見が悪い…” ↳ : 9 scary horror games may cause you have bad dreams
Day 4 of inktober: Freeze Gemino from Blasphemous
Was just informed by my mom that I do in fact have ADHD and the reason I thought I didn’t was because ever since I was seven whenever I got super energetic my mom would have me go chop wood so now when I’m feeling The ADHD I go chop wood and I thought it was just some sort of routine I started when I was little and wanted to blow off steam
The Anatomical Machines, Giuseppe Salerno, c. 1756-64
In the Underground Chamber of the Sansevero Chapel, housed in two glass cases, are the famous Anatomical Machines, or Anatomical Studies, i.e. the skeletons of a man and a woman in upright position with their arteriovenous system almost perfectly intact. The circulatory system depicted on the anatomical machines was artificially fabricated with waxes, an iron wire and silk fibers, probably following techniques commonly used by anatomists of that time
These disquieting objects were kept in a room in the palace of the Prince of Sansevero called “the Apartment of the Phoenix”, as a number of travellers and the Breve nota di quel che si vede in casa del principe di Sansevero, an anonymous eighteenth-century guide to the Palace and the Sansevero Chapel, attest. This source describes the Machines in detail, from the blood vessels of the head to those of the tongue and adds that at the feet of the woman was placed “the tiny body of a foetus”, alongside which there was even the open placenta, connected to the foetus by the umbilical cord. The two anatomical studies were moved to the Chapel, and in this way saved from destruction or loss, long after the death of the Prince. The remains of the foetus were still visible up to a few decades ago, when they were stolen.
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from the presentation p.1