A friend lent me her Copic and it was awesome! Designs of original characters, expect to see more of them! working on the project for portfolio đ #drawing #originalcharacter #copic
Odeon of Herodes Atticus, Acropolis, Athens, 2nd century AD - renovated in 1950
i had a thought today like man, my ancestors would probably not approve very much of me being such an extravagant glutton, but then i was like wtf are u kidding. those dumbasses didnât live on a fuckin potato ass diet for no minimalism. they didnât do what they did, whatever the fuck it was, for me NOT to fucking eat my bodyweight in sashimi!!! they would be fucking ecstatic to see me making the most of my opportunities for plenty. they would be fucking cheering me on. every lice-covered cossack and illiterate serf and three-toothed yak herder in my lineage is with me in this restaurant, and they are going absolutely apeshit watching me try to fit an entire samosa in my mouth
THE LAYERS CHEAT SHEET PART TWO (PART ONE HERE) Once again, Iâm no expert- there are things about these layers I probably havenât covered, so please try them out for yourself! Layers 1-7 help your contrast. They are usually a pair of the former two groups I went over in my last post. 1. OVERLAY:  Helps your contrast by boosting your lights and darks, while the more mid tone pixels arenât affected as much. It does this based on the layers beneath it.  âScreensâ the lights, âmultipliesâ the darks. 2. SOFT LIGHT:  Similar to overlay, but a âsofterâ effect. You can think of soft light as more transparent. 3. HARD LIGHT: You can look at hard light as an intense version of overlay, with much brighter colors and a much less transparent look. 4. VIVID LIGHT:  This is the heavy metal version of overlay- think of it similar to color dodge and color burn.  Very intense colors, good for finding interesting lighting and color combos. 5. LINEAR LIGHT:  Crazy amounts of contrast and color is added here, even more than vivid light.  so heavy metal 6. PIN LIGHT:  This one is interesting because besides it also being an intense contrast layer, it can add random noise to the active layer.  Apparently this is a combo of the lighten blend mode on the light pixels and darken on the dark pixels, but the noise effect is what makes it really interesting imo. 7. HARD MIX:  You will turn this mode on and be like ânoâ but it is actually adjusting its fill will reveal another overlay-ish type layer.  It throws the colors on the active layer towards a more primary color such as blue, or magenta. _____ 8. DIFFERENCE: This will invert your colors, taking into account the layers below. If colors are very close, they will be black. 9. EXCLUSION: This also inverts your colors, taking into account the layers below. If colors are very close, they are grey. Exclusion and difference are layers that would be good for graphic pieces, I havenât really gotten used to incorporating them in my painting workflow. 10. SUBTRACT: Similar to the above layers, but more intense. You will notice that the darker you make your active layer with Difference, exclusion, and subtract, the lighter and more transparent looking the result will be. 11. DIVIDE:  Divide, however, usually results in crazy highlights that are pretty opaque unless the layer is fairly light, and then it will begin to go transparent. ___ 12. HUE:  Makes the lower layer take on the hue of the active layer. 13. SATURATION:  The lower layers take on the saturation of the active layer. 14. COLOR:  The lower layers take on the color of the active layer. 15. LUMINOSITY:  The lower layers take on the luminosity, or brightness, of the active layer. Once again, Iâm no expert, but I hope this helps. Thanks guys! http://drawmaevedraw.tumblr.com/
Doodle of a classmate while working on a #designthinking process https://www.instagram.com/p/BrMs1LzhieG/?utm_source=ig_tumblr_share&igshid=1c5gdcrfdob23
Practice of color with sketches of our dear Ann :3
. . . . https://www.instagram.com/p/BvXv3jAFOFc/?utm_source=ig_tumblr_share&igshid=1rf49bxrau3pa
So pissed off at HBO Max and Warner Brothers Discovery right now
Gradient Maps for Digital Painting by rejamrejam
Buy the artist a coffee!
Daria Kulikova Bolshoi Ballet Academy
| Visual Developer, Character Designer & Illustrator | Feel free to contact me chelsychacon@gmail.com
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