Javier Arizmendi-Kalb (Mexican, B. 1960s), JUNTO AL HUMO, 2022. Oil And Oil Crayon On Canvas, 72 X

ᴇᴢʀᴀ ᴊᴀᴄᴋ ᴋᴇᴀᴛs Artwork from his 1962 book The Snowy Day.

THE X-FILES | 6.02

The wind blows so hard through the riverside in slow then fast the wind pushes me inside, the coffee promises a good time to last a ride back home, for me it doesn't get much better it doesn't have to

The cafe was so warm that I took my coat off and the food looks tasty in the display in the mood for quiche? or maybe a cookie or two please, I got the person behind me that's my friend the breeze pushed them in to remind me of how lucky I can be

Eleni R

Listen/purchase: On by AhMerAhSu

Ένα μεγάλο ευχαριστώ σε όλους που με ενθάρρυναν να ολοκληρώσω αυτό το πρότζεκτ <33 Τα αγάπησα πολύ αυτά τα σκουλήκια στον καιρό που μου πήρε να το ζωγραφίσω

English version

Aino-Maija Metsola ( b.1983 Finland) ‘Ahdinparta (Cladophora)’ 2019

watercolour, gouache and ink on paper

Georges Nasser’s ‘Where to?’//‘إلى أين؟’

(Lebanon, 1957)

#CowAppreciationDay 🐮🐄:

Shiro Kasamatsu 笠松 紫浪 (Japan, 1898-1991) Pasturing of Cattle, 1979 color woodblock print

Ig: @murasaki.verso

The figure of yourself (name redacted) appears at the corner of Aesthetics and Nostalgia

So the roulette wheel of impressions disappears behind curtains where on stage, who should near

The stranger to yourself who inhabits your stare above, beneath With teeth like plastic chairs

The figure of yourself (name reviled) desires their gruesome styles and their teeth and perfect hairs

repeat as needed, yourself (name unimportant) will see the curse a message you will not heed

repeat as needed, yourself (arguably? who cares?) will see that this is the only way, to feel

Eleni R