Story #11 "Ignorance Is No Longer Bliss."

Story #23 which is another CPE Review.

The prompt: A literary magazine has invited readers to submit reviews of non-fiction books. You decide to submit a review of a book that has influenced you greatly. Your review should briefly describe the book, explain what aspects of your life have changed after reading it, and assess the importance of non-fiction literature.

Whether you are a devoted vegetarian, want to embrace a meat-free day a week, or just look for new flavor combinations, Jamie Oliver’s “VEG” cookbook fits the bill. Inventive and varied, albeit pure and simple veg recipes, will bring vibrant phenomenal dishes onto your dinner table. Oliver’s collection of craveable recipes, full of gorgeous photos, will get you salivating and eager to jump on cooking right away. 

Having an impressive range of dishes from all over the globe will not only excite your taste buds but also widen your recipe repertoire. There’s hardly a dish that doesn’t taste utterly delicious. Oliver’s cookery book is packed full of nutrient-rich and healthy meals. Each recipe is followed by the nutritional breakdown beneath, and the paragraphs are organized in an “easy to follow cooking directions” way. 

At first, I was certain that such food would never float my boat. I couldn’t be more in the wrong! The book inspired me to be braver and bolder in my own kitchen and prompted me to make a concerted move to up my veg intake. It came at the perfect timing. Naturally, I turned into a voracious veg eater in the blink of an eye without any great efforts and complicated schemes! Should I mention the apparent positive effects it had on my body and overall health? 

If you dare to look at a simple cookery book from another refreshing perspective, you’ll see that it is all about facts rather than just a list of ingredients and instructions. Facts, structured and organized, so this book could be your quick solution manual, a source of inspiration, or an answer to a nagging question. You name it! In a world where people hardly know what to believe anymore, they crave not far-fetched stories from someone’s figment of imagination but clear-cut and specific facts. Don’t skimp on facts. They’ll give you the perfect new flavor to taste. 

Story #64 "Living a Life of Interruptions"

I wish I could say that writing comes naturally to me, and with a click of my fingers, I shift my mind into the subspace where my silly ramblings magically turn into coherent ideas.

Much to my chagrin, I can barely find time to transmit a few sentences to my journal on a daily basis. It should be easy, isn’t it? After all, you do it with everything else in your life - exercising, hobbies like reading or knitting, your work for crying out loud!

But…come on, in all candor, when are you ever alone? Exactly.

Peace and quiet is a gossamer door into a parallel reality allowed to exist in your head only. I’m hardly alone even when I pee, much less so when it comes to all my aforementioned ventures.

I live a life of interruptions. I’m interrupted when I read, when I run on a treadmill or sweat over another set of crunches or when I take a shower.

Notifications. Messages. Ads. Kids. Random thoughts. Things you forgot. Things you must not forget. Reminders. Whether these are your children, pawing through your desk with their little hands and naked curiosity or something else, be brutally honest with yourself - you are constantly bombarded with interruptions.

Is there a way out? There must be some, right? Mine is to write in the wee wee hours when everyone is asleep. In the dark and gloomy confines of my kitchen, surrounded by the smell of freshly brewed coffee that slips into my pores and receptors of my nostrils, I have found my safe place for writing. I’m all by my lonesome, and I love every minute of it.

I disciplined myself into writing. And if the muse happens to hover over my shoulder, I grab that resentful bitch by the neck and keep doing my thing, because if I don’t, she will slam the door shut out of my creative space so loudly that it will leave the void so vast, it will echo.

Be kind to yourself. No disparaging remarks. Only courteous behavior and soft-spoken words are welcome in that sacred place where creativity is harvested. Enjoy the crackling freedom you regain, when once evanescent thoughts, finally transform into actual printed letters, demystifying every nook and cranny of your brain.

That, indeed, is real magic.

Story #29

The X-files fanfiction "We only heal together" 3/3

Read it on AO3

3.

When Mulder opens his eyes, the darkness instantly evolves into a hazy grayness. No snow or harsh blinding light. No screeching metal cabinets behind his back, no blinking fluorescent ceiling lamps, no whirl of snowflakes around. It’s not their office. 

His head feels heavy and Mulder draws a deep breath and takes a look around. He’s lying on the tiled floor in what looks like a spacious conference room. He can hear Scully’s ragged breathing somewhere close but not quite there. The pounding in his head is the pounding on the door. Slowly, he comes to the conclusion that what they have just experienced was no more than a hallucination. A dream of sorts. It’s sickening cruelty chilling him to the bone.

“Scully?” he croaks. There’s no answer.

Dizzy and confused from their ordeal, Mulder manages to roll on his back and spots Scully lying a few feet away from him in the fetal position. From where he is, it looks like she’s still imprisoned in their mutual delusion, her eyes darting beneath her tightly shut lids. She doesn’t seem to acknowledge his presence at all, and on unsteady legs Mulder rushes to her, almost crashing down onto the floor in his haste to get to Scully. Not sure whether it’s safe to wake her up, Mulder nonetheless cannot resist reaching out and brushing her shoulder tenderly. At his touch Scully jerks sharply and a weak moan falls from her lips. 

“Don’t,” she says in a small voice. Mesmerized and terrified at once, Mulder watches how the lashes of her closed eyes get wet, and when a single tear escapes and runs down her temple, he is overwhelmed with horror. A shocking, stomach-churning realization sinks in.

The pounding on the door becomes almost unbearable in its discordance and in a matter of seconds the noise turns into a thunderous racket. The door gives up under the assault of whoever stands behind, and a bunch of police officers along with paramedics burst unceremoniously into the room.  

What happens next happens so quickly that even hours later Mulder struggles to reconstruct the whole evening in detail. It comes in increments, and he knows next to nothing as to which are real and which are just figments of his imagination. 

Scully is put on a gurney and whisked away outside to the ambulance, he himself has to endure a disgustingly long and meticulous examination by a young paramedic. When it’s finally confirmed that he sustained no physical injuries and is free to go, he’s held by another officer to explain his involvement. Around him, the place is swiped for evidence. Mulder does his best to deliver his version of events, which feels pretty much like an after-sleep groggy recollection. The police disclose that there was an anonymous call about people being subjected to torture at the location. They have yet to determine the source of the call, but the Portaverros were arrested on the spot upon trying to flee their office. They are being taken to the station at the moment and the agents are welcome to pay a visit and interrogate the couple as soon as they want. Mulder advises the cops that it might be reasonable to separate the couple, and confirms they’ll drop by the police station first thing tomorrow morning.

At last, he ventures out of the building to look for his partner only to find Scully already waiting for him in a car. Not a word is said as Mulder starts the engine and heads off to Georgetown, anticipating how tedious their journey back home is going to be. The silence is uncomfortable and seems to scream even louder than the noise he heard at the crime scene, and it makes him shift anxiously in his seat. His partner’s head rests against the side window, her eyes closed. He can’t stand the thought that she might be pretending just to steer clear of him, so he chooses to believe Scully is dozing off, exhausted.

When Mulder pull the car up to the front of her apartment building, she wakes up only to notice that the car is double-parked and the engine is running, the key still in the ignition. Obviously, Mulder has no intention of inviting himself in. Carefully, as if not to touch him, Scully extends a hand under the steering wheel to turn and pull the key out. The engine dies and the silence stretches like a taut skin of a drum. Taking a moment to gather her thoughts and then measuring each word carefully, she says:

“Come inside, Mulder.”

“I don’t think it’s a good idea,” his voice is a bone-tired whisper. 

“We’ll just talk.”

“Scully,” he stops her with an exasperated sigh.

“Mulder, please. We can’t just sweep it under the rug and hope it will sort itself out.”

In an attempt to catch his eyes, Scully cups his chin and turns it to meet her steady gaze. Mulder surrenders to her willingly, secretly elated that she has no trouble touching him. Not like in the Portaverro’s residence. It’s only a moment before he drags his eyes away again, his face contorted in pain. 

“Did I really do that?”she knows he’s talking about their shared nightmare, and logically she understands it wasn’t real but it hurts all the same. They will bring it to the surface and acknowledge the damage done. They will deal with that. There’s no way she's going to put her head in the sand and circumnavigate his question. Withdrawing her hand, she says calmly. 

“Not for real, no.”

“It felt real.”

“It did.”

The knuckles of his hands turn white from the power of his grip on the steering wheel. All of a sudden he’s a wild animal trapped in a cage, the quiet and limited space of a vehicle suffocating him. He wants to launch himself off the seat, pace around, circle the table, topple a chair, shove his hands in his pockets, put some distance between them, punch someone. He doesn’t do any of these things. Deep down in his heart of hearts, he knows that Scully is right, they have to talk it through. Stealing a quick glance at his partner, Mulder is relieved to see that her expression and posture are open. 

“What was your fear?” he finally asks.

“Betrayal,” that makes him jerk his head up and search for her eyes. 

“Remember that case we were working on in Braddock Heights? With the vhs tapes?” Scully continues. “At the time, I thought you were in cahoots with the cigarette-smoking bastard. I was terrified of being betrayed, most of all by you. I guess this time that fear manifested itself in the cruelest way possible.”

Her hands are slightly shaking and she hides them between her thighs, so Mulder wouldn't notice and poses the question back. 

“What was yours?” 

“Hurting you,” Mulder replies without preamble, raw emotion in this voice. His eyes burn, pain filling him up to the brim, threatening to spill over the edge. “I was afraid…” he drops his head, no longer able to endure her sea blue penetrating gaze. “I am afraid to end up doing something that will hurt you, Scully. I fucking hurt you all the time.”

“Mulder…”

“I do, Scully. You can’t assuage my guilt by saying it was your choice. I know what you're gonna say, it's always been your choice, and you stay by my side of your own volition. I know that! It doesn’t make me any less responsible for all the bad things that keep happening to you.” He’s looking at his upturned hands, fingers splayed wide until Scully’s small strong hand comes into his view and cradles his tanned and big one. The contrast is mesmerizingly beautiful. When she tugs on his arm and brings their intertwined fingers to her mouth, kissing each of his knuckles lovingly, his eyes cloud with tears. 

From the moment they were partnered, Mulder had the unshakable belief that Scully needed his protection. If he could… if she let him, he would put her into an inner pocket of his jacket to hide her from the perils of the outside world. As far as she was concerned, he was simply scared out of his wits. Mulder is well-aware that despite being a diminutive woman, seemingly fragile and vulnerable, Scully is stronger than anyone he knows. Stronger than himself. Her petite frame is no more than a facade. On more than one occasion, he bore witness to her easily overpowering her male counterparts. Hell, for the seven years they’ve been together she probably incapacitated more offenders than he had done in all his years in the FBI. Scully is his strong little partner, best friend, and staunchest ally. She’s the love of his life. 

“Mulder, listen to me. You are intransigent. Adamant. Moderately aggressive, dominant and assertive. Maybe even the most grandiose narcissist in the flesh I know. But aside from being all those things, you’re also kind, compassionate, empathetic, loving. And you are not a rapist. I trust you with my life, Mulder.”

Her soft breaths dance across the skin of his hand still pressed to her warm cheek, lips grazing lightly on his calloused fingers. 

“You’re my guiding light, Scully. My touchstone. I wouldn’t be sitting here now if not for you.” 

It feels like a moment of distilled creation. He might have chosen other words but their meaning echoes her own: they are not going to let it drive a wedge between them, leaving their lives in disarray and their souls emotionally crippled. As Scully’s hand reaches the door handle ready to get out of the vehicle, Mulder doesn’t hesitate to follow. 

Story #24 is an IELTS type of essay.

Prompt: In many countries juvenile or child crime is on the increase. What are the reasons for this and what are the solutions.

It is a well-known fact that some countries have a high rate of juvenile crime which increases annually mostly due to the lack of pastoral care by relatives. Many children have to be on their own, especially if the family breaks up. It is common that single parents tend to pay less attention to their children's whereabouts and activities since they have to work a lot to be able to earn enough for a living. The lack of money often results in poor housing; therefore, youngsters who live in bad conditions may feel envious of their richer mates and turn to stealing.

There are several solutions for that problem.  Governments should put higher involvement in child development. Programs related to after-school activities for teenagers should be promoted. If we can occupy adolescents with sports and other interesting things to do which will be accessible and available for anyone for free, we can succeed in reducing the crime rates in this age category. Social services need to collaborate with employers to provide young people with part-time jobs that they can manage with their school studies. This will give them the opportunity to earn some pocket money and feel less dependent on their parents.

I believe that children turn into criminals due to several reasons but the main ones always root in the family. It all comes from the atmosphere in one particular kin and this is where governments can help. Parents should spend more time with their children to be aware of their interests and problems. To put it into practice, it is possible to consider preferences for single mothers and fathers such as fewer working hours a week for the same wage rates.

Photo credit: Maxim Hopman (Unsplash)

Story #53, In the Silence of the Night 2/2

This is The X-Files fanfiction. Read it on AO3

She has no doubts that Mulder knows how to touch her mind.

She suspects that he keeps under wraps a few tricks on how to touch her soul.

But how is it possible that he’s never touched her body before, yet he can play it like a fine musical instrument? With unerring precision, he recognizes all the right keys to touch and strings to pull. Her body, mind, and soul sing the most sonorous chords all at once. Only in his arms.

If he can make her vibrate all the way down to her toes with just one kiss, what's going to happen when they take it to the bedroom? Oh, boy.

Scully straddles his lap and in a matter of seconds, their clothes end up in heaps on the floor of her living room.

Fingertips, calloused and tender, map the soft curves and hard muscles; eyes, hazel, and baby-blue, trail over the cream and bronze canvases of skin; lips deliciously full, devour hungrily over each other.

In his hands, he holds a microcosm of the ocean of pleasure that comes to wash her in tides.

With tender fingers, he caresses the undersides of her breasts - thumbs sliding over the hard nipples - then moves them down to rest on that sweet spot where her waist goes to her hips, and eventually encircles her back. Their bodies touch head-to-toe and the sweet fragrance of her skin fills him to the brim with each inhale.

“God, you are so beautiful,” Mulder whispers, tightening his arms around her and kissing her soft, fruit-scented hair.

“Should we take it to the bedroom? You know, there’s a bed in this apartment.”

In reply, he dips his nose into her neck and nips gently on the sensitive skin beneath her ear, hands still roaming along the pale expanse of her back. As they settle on the luscious cheeks of her lace-covered bottom, he gives them a firm squeeze and lifts his head off her shoulder to look into her eyes.

“I want to take you to the ocean, Scully.”

Scully smiles, her eyes crinkling with amusement. That’s clearly not what she expected to hear.

“Ocean?”

“Yes. To spend a day on the beach. To see the milky skin of your arms and shoulders become crowded with peach-colored freckles, and your russet hair lighten in the sun.”

“You are such a romantic, Mulder.” She chuckles, rubbing his nose affectionately in an Eskimo kiss.

“Should we call Skinner and tell him we are going on holiday together?”

“Mulder, at this point you can ask me to call Skinner and tell him I believe in aliens, and I’ll blithely agree. You have me that high on dopamine.”

One of her hands drifts down his sternum and brushes an impressive bulge through the rough denim of his pants. Mulder whimpers.

“Can we please not bring Skinner into our bed?” Scully murmurs into his ear, and the tone of her voice alone makes him squeal.

“Deal.  And we are on the sofa, not in bed.”

“Oh, I stand corrected. Can we please go to bed and not talk about Skinner?”

Mulder slides his hands up her back, over her shoulder blades and neck, until they reach her face and cup her cheeks. His stare suddenly turns serious.

“I know I’m at the risk of sounding a wee bit cynical here, but I don’t wanna be just your easy lay, Scully. This celebration of ours… is it just a one-time thing, or do you think you can… we can… feelings might be involved here?”

There’s a pause of a length of a heartbeat that feels like it lasts hours. Time stretches. That's Mulder’s cue to lay out his cards and just go along with what’s coming next.

“Because I love you, Scully.”

He would expect her to frown. To jump off his lap and put on her clothes back. To ask him to leave and forget everything that’s happened tonight.

He hopes for a kiss instead. 

He’s too afraid to believe she could say it back. Yet, she wouldn’t be his Scully if she didn’t keep him guessing.

“Mulder, I think, we both can agree, by and large, that feelings have been involved here from the very beginning.” At that, she frames his face in return, their foreheads touching.

“There’s some pretty hard evidence here.” She looks down briefly to illustrate the point, and Mulder lets out a nervous chuckle as he follows her gaze.

“That’s quite an astute observation.” He manages to say before her lips land on his in the most sensual kiss he’s ever experienced.

“I see you, Mulder. Always.” She says tethering him with her touch and her words.

“You won’t run for the hills in the morning?”

“I won’t run for the hills in the morning.”

“OK. That quelled my fears a little bit.”

“I don’t want to wait anymore.”

“I’m totally on board with this course of action, Scully, but maybe we should dial it down a bit.” She knits her brows, clearly confused.

“I mean, you are still recovering and…” The rest of the sentence dies, as she chooses that moment to grind against him, and Mulder loses any coherent train of thought.

“You know that you can’t really leave me hanging here, Mulder. Bear in mind the potential repercussions.”

“Oh, Scully, you know how to tug at my heartstrings.”

“I’m kind of hoping to tug at something else here.”

There's some more kissing and smiling. The night is young and promising.

Much much later, in the darkness of her bedroom, they lie under the covers, their bodies satiated and limbs intertwined, and Mulder, still slightly lightheaded, asks:

“Scully, how much would you give me on a scale of ten?”

Somewhere around his armpit, she sighs tiredly, mumbling half-sleepily: “You serious?”

Her eyes are still closed and he nods quite vigorously just to let her know how damn serious he is.

“Well, I think it’s fair to say… In aggregate, I’d score you six points, Mulder.”

“Six? You kidding?”

“You can’t deny a woman four years of sex and emerge unscathed. You’ll have to make it up to me.”

“Oh, I will, Scully. Believe me, I will. Do you think we can start right now?

“Right after I get my beauty sleep. Good night, Mulder.”

“G’night, Scully. Love you.”

She doesn’t say anything in turn, and Mulder thinks that she has fallen asleep and tightens his arms around her. It's more than enough for now, he's happy as he is. The night is silent around them and he closes his eyes, ready for the sleep to claim him.

“I love you too,” breaks through the haze of his dream right before he falls asleep with a content smile on his lips. 

Story #39, CELTA 2022

I’ve been wanting to take the course for the past three years or so, but somehow I couldn’t answer to myself “to what end”? And then it just clicked. So here I am.

I didn't want to do a full-time 4-week offline CELTA. Since we live in a digital age where people Zoom this and that, you don't even need to leave your apartment. Maybe even your bed.

My CELTA is a 12-week online course in ITI Istanbul.

We have a multinational group with people from Turkey, Iran, Russia, Japan, and even Argentina!

The workload is pretty heavy, but all the tasks are quite doable, and if you manage to organize your time properly, there’s just the right amount of time for work, side projects and family errands.

All the tasks mentioned below are compulsory; however, only the first two are assessed.

What it consists of: 🦋4 written assignments (up to 1000 words); 🦋8 45-minute lessons; 🦋6 hrs of teacher practice observation (including your tutor); 🦋7 weekly sessions; 🦋30 units of coursework on the Cambridge platform; 📛nerves, sweat, tears unlimited.

My teaching practice is starting at the end of November and finishing somewhere around December, 30. (Alas! no teaching after the New Year’s Day). The last week is dedicated to wrap up all the loose ends.

This should be the first step for taking DELTA afterward… so we’ll see.

STORY #16 which was born from the exercise in the Creative Writing Club

The original prompt: finish the sentence using a simile "His promises were like..."

He always was a funny, kind of naturally gifted, guy whenever it came to storytelling, able to pull off a story in a way that drew the attention of every single person in a room. As natural as his verbal talent was, on the paper he turned out to be a godsend. The writing was what he was born for. At some point, books were pumping out like bags tossed on the belt conveyor, which was a funny twist of fate since that was exactly how they met. Mistakenly, she picked up his bag only to discover later that the bag itself was the only thing that was similar to her own luggage. She called it divine intervention. He called it kismet.

He seemed to be pretty content at home, only rarely mentioning how LA lights beckoned him. They always had. So it hadn’t come as a surprise when one day they headed to where the lights shone brighter as ever. He said it was to pursue his American dream. She said it was to chase the dollar and fame. Producers called him a real deal. Publishing houses labeled him a writer with a capital W. In a matter of months, he became everyone’s most wanted. Fiction turned into scripts, scripts turned into endless nights on screen sets, take after take, beds in nameless trailers, “shots” heard at any time of day and night. She had yet to realize that LA lights would never shine quite as bright as in the movies*.

He promised they could be happy there. All she ever wanted was to be happy. All she ever got was misery. He promised it’d be a step forward. He promised it’d be a chance to look into new perspectives and open themselves up to new opportunities.  He kissed her. And the kiss was a promise too. His promises always looked quite solid. Painfully so. Just until they weren’t. Like fall leaves with their reddish thin veins running across the yellow canvas, they laid on the carpet of grass, innocent and beautiful, only to turn later into the dust crunching under his merciless feet. He didn’t even bother as much as to look down.

Nothing panned out as he promised.

She kept waiting. Waiting to grow accustomed to that new bohemian lifestyle, waiting for him to deliver his promises. Just waiting. They were two worlds in collision but when the smoke cleared, he wasn’t there. What was there left for her…? Only his empty promises.

*“LA lights never shine quite as bright as in the movies” is a quote from the song “Catalyst” by Anna Nalick

Photo credit: Alex Motoc (Unsplash)

Story #60 "Power in Routine"

POWER IN ROUTINE

That's me on this tee. With one slight difference - we are not in the X-files universe where the Fox (supposedly Mulder) cries out for Scully in every single episode. 

My version goes like that: 

‘Kids! KIDS! K-EE-D-S!’

At half past six every morning. 

And that’s how our day starts. 

Ten minutes to lie in, ten more to wash up and get dressed. Fifteen to have breakfast. We gotta leave at 7.20 for school 🏫 which gives me a sufficient amount of time to return home and start my first lesson at eight.

I usually work non-stop until 11 or 12, and then I have a very long lunch. I might exercise (you gotta move that body around after being glued to your chair for hours on end), and watch some tv-series along the way. 

In the second part of the day, there are two more trips to school and back, some more lessons, extracurricular activities, and dinner. By then, I’m so exhausted that I fall asleep as soon as my head hits the pillow. 

My co-star app says that I find power in routine, and I couldn’t have said it better. 

Establishing a simple but flexible routine was my magic bullet to balance life and work and everything in between. Once I swallowed it, magic happened. Wonders haven’t seized since then.  

As a part of my daily routine, I might write, read, cook, knit, or take a nap. The list is endless, you name it. One rule applies, though - whatever it is, it has to be scheduled and put on the calendar, otherwise, chances are I won’t get it done. 

It’s all about planning. 

Here goes the main question: are you a planner or more of a spontaneous kind of person? What helps you have it done? 

Story #79 "Mapping My Childhood"

That was a creative writing exercise from my tutor, and it's a mix of fiction and real-life events.

There was a heavy wooden bookcase in the living room of our old two-bedroom, creaky dusty shelves storing all kinds of books - detective stories, thrillers, romances that would make the most jagged reader blush. I rummaged through it from top to bottom and stopped my gaze on “Hatter’s Castle” by Archibald Cronin, a hefty volume of blue color - the book my younger self, fascinated with British and American literature – devoured whole in one week. Took me another week to digest it, before embarking on Dreiser’s “American Tragedy”.  We’ll get back to that.

Kesha, our green and yellow budgie, was tweeting in his cage as I stood there hypnotizing the book, trying to decide if it was worth a read. As I made up my mind to give it a shot, I sauntered over to the kitchen to boil some water for tea. Benny, our beautiful white mongrel, looked at me with her wet brown eyes – always seemingly sad – and I paused by the door of the kitchen with my manuscript.

Later.

We could look through Hatter’s castle later. Tea could wait too. It was time to walk.

“Hey, let’s go out for a while.”

She didn’t hesitate and jumped on me, pawing my knees excitedly.  I crouched down to be level with her lovely fluffy face and pulled her increments closer. Maybe somewhere in the back of my head, I had already known it would be one of our last times together. As I had known that one sunny day in June, I would forget to pull down the bar of Kesha’s cage while filling his bowl with fresh food, and he would fly away.

We tended to keep the balcony doors open in summer, but I still believed the chances he’d find his way out would be close to nil. Well, fucking stupid of me. But what would you expect from a fourteen-year-old – a clusterfuck of uncertainty and confusion? 

Fourth floor. Eighty-eight steps up and down. Every day for the past six years, and then the next ten. Inside it smelled like dump plaster and cigarette smoke. I used to know all my neighbors by name, the types of plants they had (they asked us to water them when on holiday), and the loudness of their spouses’ voices once a row was in full swing.

Every four weeks it was our turn to sweep the floors of the lobby and wash two flights of stairs. Twenty-two steps. Up and down. I wish we had a rug there, so I could sweep under it all the dirt and humiliation I felt every time I got spotted by a random passerby.

Checking the postbox was the thing I loved best. There were letters and postcards I could read. When I was in high school, newspapers joined them. Later, when I entered the college, catalogs and brochures were added to the pile of the mess our postbox had become.

“What you got there?” The boy from the top floor – the fifth – asked me as he stepped across the narrow two-by-two lobby to check the box of his own.

“Yves Rocher catalog,” I mumbled and he pivoted on his heels swiftly.

“What?”

“Yves Rocher catalog,” I repeated louder and then felt compelled to clarify. “You can buy a lipstick there or a mascara.”

The boy smirked and swept my body down with his eyes, grinning wickedly.

“You think it’ll help?”

At his words, my face started burning. I kept staring at him with eyes wide open, acutely aware that if I closed them for a second, the tears that had already filled the back of my throat would spill over my lashes. I swallowed a sob ready to escape any moment and brushed past the guy, bumping his shoulder painfully with my backpack.

“Fuck you.”

Story #19, that is about another amazing workshop I hosted for the Writing Incubator Project.

As we are about to embark on a fall season, I’d like to share a few words about the session I was honored to host in May 2022. 

The workshop I prepared was about “Stealing lexis from real articles to use in your CPE articles” (and any other articles as well). 

So how do you write a CPE article? Bet you’ve heard dozens (hundreds, thousands even?) of times that you should read real articles, explore the language, highlight some nice examples, and make lists of collocations or idioms you could use in your own piece. You do it mostly intuitively, just relying on your inner self to cue you, which is the right thing to do.

But where do you begin? How do you know what’s a good and what’s a bad choice? That’s what we had a look at in our Writing incubator project in May. And here I will succinctly summarize it for you in a god-knows-how-many-words blink. 

The technique we used is called investigative reading. However, before you even start opening your favorite sources, be it NY Times, The Guardian, or the Washington Post, for authentic articles in order to mine any good lexis you could borrow, create your template. And what do I mean by that? Find or invent the prompt of the article you intend to write and go through it.  Then start reading articles on the topic. Highlight the language. See what you can borrow. Explore it. Put it in your article. Toss some away. Experiment.

Is it something you can do with real articles for your blog? Sure thing, just keep the plagiarism rule in mind. Three consecutive words is borrowing, and more is stealing. 

The trick is, the more you write, the more you notice, how words and phrases naturally and effortlessly find their way into your pieces. You’ll start having your own unique style with a bunch of favorite chunks and structures. NO secret here. You just read some more, write some more, rewrite some more. 

On a related note, it occurred to me that I've never posted the article I wrote for that workshop following the aforementioned guidelines. So here it is, story #37 on my blog.